Piedmont Chamber Music
July 24 - 28
The Piedmont Chamber Music Festival is celebrating its 4th year!
International musicians in weeklong residency at Center for the Arts
July 24 - July 28
Violinist Zachary DePue joins our 2019 lineup!
We are thrilled to welcome Zachary DePue to PCMF! Zach became one of the youngest concertmasters in the country when he was appointed to the Indianapolis Symphony Orchestra in 2007, and he rose to international prominence as a founding member of the category-defying trio Time for Three, with whom he performed for 15 years.
Zach replaces Charles Yang (his successor in Time for Three) on our Friday and Sunday concerts. Charles will be flying to Chicago immediately after he performs on Wednesday night to make his debut with the Chicago Symphony!!
Read more about Zach here, and get your tickets below to see him live in Piedmont.
Ticket sales are heating up.
Grab your seats now!
Celebrating the fourth year of the Piedmont Chamber Music Festival, founders Wayne Lee and his wife Juliana Han have scheduled an exciting program of music in three major concerts at the Piedmont Center for the Arts from July 24 to July 28 this summer.
The festival is the only weeklong residency chamber music festival in the East Bay.
Individual and season pass tickets are now available on the festival’s website, piedmontcmf.org.
We think of Mozart as “Mister Classical,” the composer who embodies the balance, poise, and grace of the Classical period. But we also know about his impish, irreverent side, which provided the magic for his works. On PCMF 2019’s opening concert, we couple Mozart’s radiant Grande Sestetto Concertante with Francis Poulenc’s neo-classical Violin Sonata, as well as Behzad Ranjbaran’s poetic Shiraz, a piece inspired by classical Persian culture, for a classical journey that will expand and challenge what you know about classical music.
Program & musicians
Francis Poulenc’s Violin Sonata: Charles Yang, violin and Juliana Han, piano.
Behzad Ranjbaran’s Shiraz will be performed by Yang, Han and cellist Clancy Newman.
Arranged for string sextet, Mozart’s Grande Sestetto Concertante in E-flat major, K. 364, will feature the Formosa Quartet, with Newman on cello and Nicholas Cords on viola.
What we think of today as “classical music” is a tradition that originated in Western Europe, but later practitioners drew inspiration from outside of that cultural sphere. This concert highlights some of those influences, whether they are the flash of Mongolian horse hooves in Lei Liang’s Gobi Gloria, or the distinctly Andalusian sounds of Joaquín Turina’s lush Piano Quartet. The second half of the program presents gems in the Western tradition from outside the Classical period. Orlando Gibbons’ beautiful madrigals are exemplars of Renaissance polyphony. Some 250 years later we meet Brahms in the Romantic period, where he is labeled a conservative for holding fast to classical principles while his contemporaries sought to break down traditions in form and harmony.
Program & musicians
Gobi Gloria by Lei Liang: Formosa Quartet
Joaquin Turina’s Piano Quartet in A minor, Op. 67: Charles Yang, violin; Nicholas Cords, viola; Clancy Newman, cello; and Juliana Han, piano.
Madrigals by Orlando Gibbons: Formosa Quartet with Nicholas Cords, viola
Brahms’ String Quintet in G major, Op. 111: Formosa Quartet with Nicholas Cords, viola
For PCMF 2019’s closing concert, the one-of-a-kind talents for which our guest artists are known are on full display, while our program cheekily explores the meanings of “pop” music. The concert begins with a string quartet from the “pop” of the genre, Joseph Haydn, who first elevated the instrumentation into a refined art form. Hindemith’s emotionally soaring Viola Sonata is among the most popular works for viola and piano, and rightfully so. As a fitting conclusion, cellist Clancy Newman and violinist Charles Yang present the unique ways they have found to combine their classical training and popular mainstream influences. The festival ends with a bang as Paul Schoenfield’s Cafe Music includes every popular music tradition, including jazz and klezmer.
Program & Musicians
Joseph Haydn’s String Quartet in E-flat major, Op. 76 No. 6; Formosa Quartet
Viola Sonata, Op. 11 No. 4 by Paul Hindemuth; Nicholas Cords, viola
and Juliana Han, piano.
Pop-Unpopped and other selections, with Clancy Newman, cello, and Charles Yang, violin
Cafe Music by Paul Schoenfield; Charles Yang, violin,
Clancy Newman, cello, and Juliana Han, piano
TICKETS AVAILABLE NOW!
Tickets to all concerts are $30 General Admission and $15 for students. Tickets are available online at pcmf.org.
A season pass for all three concerts is $80, providing a $10 savings.
ABOUT THE ARTISTS:
Taiwanese-American violist CHE-YEN CHEN is a founding member of the Formosa Quartet and a First Prize winner of the 2006 London International String Quartet Competition. He was awarded First Prize at the 2003 Primrose International Viola Competition and has been described by San Diego Union Tribune as an artist whose "most impressive aspect of his playing was his ability to find not just the subtle emotion, but the humanity hidden in the music." Having served as principal violist of the San Diego Symphony and the Mainly Mozart Festival Orchestra, he has appeared as guest principal with numerous major orchestras in North America. A former member of Lincoln Center Chamber Music Society Two and participant at the Marlboro Music Festival, he is also a member of Camera Lucida and The Myriad Trio, and has been featured frequently at festivals such as the Seattle Chamber Music Society, Chamber Music International, and La Jolla Summerfest. He serves on the faculty of the UCLA Herb Alpert School of Music and the USC Thornton School of Music.
For more than two decades, omnivorous violist NICHOLAS CORDS has been on the front line of a growing constellation of projects as performer, educator, and cultural advocate. As co-artistic director of Silkroad, the musical collective founded by Yo-Yo Ma, and violist of Brooklyn Rider, an intrepid group which NPR credits with "recreating the 300-year-old form of the string quartet as a vital and creative 21st-century ensemble,” he is deeply committed to music from a broad variety of traditions and epochs, with a particular passion for the cross-section between the long tradition of classical music and the polyglot music of today. He has appeared as a soloist with the Philadelphia Orchestra, the Chicago Symphony, and the Minnesota Orchestra, and is a member of the viola faculty at New England Conservatory.
Violinist ZACHARY DePUE has established himself in concert venues around the world, delivering virtuosic high-energy performances as a leader, soloist, collaborator, and improvisational artist reaching across a diverse landscape of music. He became one of the youngest concertmasters in the country when he was appointed to the Indianapolis Symphony Orchestra in 2007, and he rose to international prominence as a founding member of the category-defying trio Time for Three, with whom he performed for 15 years. Mr. DePue’s earliest introduction to the stage came through performances with his family. He is the youngest of four brothers—all violinists—who make up The DePue Brothers Band, an eclectic ensemble that blends bluegrass and classical music, with elements of jazz, blues and rock. He graduated in 2002 from the Curtis Institute of Music and is a former member of the Philadelphia Orchestra.
Winners of the First Prize and the Amadeus Prize at the London International String Quartet Competition in 2006, the FORMOSA QUARTET is “one of the very best quartets of their generation” (David Soyer, cellist of the Guarneri Quartet). Its debut recording on the EMI label was hailed as “spellbinding” (Strad Magazine) and “remarkably fine” (Gramophone), and the quartet has given critically acclaimed performances at the Library of Congress, the Da Camera Society of Los Angeles, the Chicago Cultural Center, the Walter Reade Theater at Lincoln Center, the National Concert Hall in Taipei, Wigmore Hall in London, and the Kammermusiksaal at the Berlin Philharmonie. Formed in 2002 when the four Taiwanese-descended founders came together for a concert tour of Taiwan, the Formosa Quartet’s cultural identity has since expanded to include broader American and pan-Asian roots. Their name “Formosa” is still a tribute to the culture of Taiwan, but is also largely taken in its most basic sense: Portuguese for “beautiful.”
Pianist JULIANA HAN is an active collaborator, chamber musician, and soloist, lauded not only for her thoughtful and inspired performances but also for her musical lectures, which have introduced classical works to diverse audiences. She has performed in New York's major venues, including Carnegie Hall, Alice Tully Hall, and Merkin Hall, as well as in other notable venues across North America and Asia. Her festival appearances include the Music Academy of the West, Norfolk Chamber Music Festival, and Kneisel Hall Chamber Music Festival. Previously Adjunct Faculty at the Juilliard School, where she received her doctorate, Dr. Han joined the faculty of Augustana College in 2018 as Assistant Professor of Piano. She also holds degrees in biochemistry and law, both from Harvard University, and has worked as a biotech specialist at L.E.K. Consulting and as a corporate attorney at Cravath, Swaine & Moore.
Violinist and Piedmont native WAYNE LEE is a member of two internationally-acclaimed ensembles, the Formosa Quartet and the Manhattan Piano Trio, and gives dozens of performances with them annually throughout North America, Europe, and Asia. He regularly appears before audiences as a soloist and recitalist, and often performs on early instruments with fortepianist Mike Cheng-Yu Lee, a collaboration that has brought the duo as performance and teaching artists to institutions such as Cornell University and Indiana University. He has given master classes throughout the United States and Asia, has previously taught at the Juilliard School, and is currently a Lecturer of Violin at the University of Illinois at Urbana-Champaign.
"JASMINE LIN is a magnificent player with superb tone and strong interpretive powers” and “a violinist of remarkable intensity”, maintain American Record Guide and Chicago Tribune. As a member of Formosa Quartet and Trio Voce, faculty member at Roosevelt University and Music Institute of Chicago, Curtis Institute of Music alumna, confidante to a Cremonese violin, arranger of Grappelli tunes, prizewinner in the Naumburg and Paganini competitions, Grammy nominee, and recording artist on Con Brio, EMI, and New World Records, Jasmine likes to solicit magnificence and intensity while leaving raindrops on her nose un-wiped-off. Her biography contains precisely one hundred words.
Cellist CLANCY NEWMAN, first prize winner of the prestigious Walter W. Naumburg International Competition and recipient of an Avery Fisher Career Grant, has had the unusual career of a performer/composer. He has performed as soloist throughout the United States, as well as in Europe, Asia, Canada, and Australia. He can often be heard on NPR’s “Performance Today” and has been featured on A&E’s “Breakfast With the Arts.” A sought after chamber musician, he has been a member of Chamber Music Society Two of Lincoln Center and Musicians from Marlboro, and is a current member of the Clarosa Piano Quartet. He has been a featured composer on series by the Chamber Music Society of Lincoln Center and the Chicago Chamber Musicians, and his piano trio, Juxt-Opposition, is available on Bridge Records. Mr. Newman is a graduate of the five-year exchange program between Juilliard and Columbia University.
Praised by critics for her “focused intensity…superb tone” and “high level of interpretative intelligence,” Korean-American cellist DEBORAH PAE has received international acclaim for her powerful performances and devotion to the arts. She has appeared as soloist, recitalist, and chamber musician throughout the United States, Europe, Canada, and Asia, at venues including Carnegie Hall, Auditorium du Louvre in Paris, London’s Wigmore Hall, Taipei’s National Concert Hall, and the 45th GRAMMY Awards at Madison Square Garden. Cellist of the award-winning Formosa Quartet and founding member of Namirovsky-Lark-Pae Trio, she has been a featured artist at Marlboro and Ravinia festivals, and has recorded numerous solo and chamber music works for radio and television broadcast as well as for labels including New World, TYXarts, Bridge, and Outhere Records. Committed to mentoring the next generation of young artists, Ms. Pae is Professor of Cello at Eastern Michigan University andFaculty Emeritus at the Perlman Music Program.
Recipient of the 2018 Leonard Bernstein Award and described by the Boston Globe as one who "plays classical violin with the charisma of a rock star,” Juilliard graduate CHARLES YANG began his violin studies with his mother in Austin, Texas, and has since studied with world-renowned pedagogues Kurt Sassmannshaus, Paul Kantor, Brian Lewis and Glenn Dicterow. He has performed as a soloist with orchestras and in concert in the United States, Europe, Brazil, Russia, China, and Taiwan, and is the recipient of numerous awards and honors. On June 9th of 2005, the Mayor of Austin presented Mr. Yang with his own "Charles Yang Day.” In 2016 Mr. Yang joined the crossover string-band, Time for Three.